286 Pages
    by Routledge

    286 Pages
    by Routledge

    Acting for the Stage is a highly accessible guide to the business of theater acting, written for those interested in pursuing acting as a profession. This book is a collection of essays by and interviews with talented artists and businesspeople who have built successful careers in the theater; it’s a goldmine of career advice that might take years to find on your own. Herein, the myths around professional acting are dispelled, and the mysteries revealed. Acting for the Stage illuminates practical strategies to help you build a life as a theater professional and find financial rewards and creative fulfillment in the process.

    • Contains essays by and interviews with working stage actors, acting coaches, directors, writers, and agents.
    • Features discussions on selecting a graduate school program, choosing acting classes and workshops, making the most out of your showcase, landing an agent, networking and promoting yourself, and the business of casting.
    • Covers issues of money management, balancing the highs and lows of the profession, finding work to nourish your acting career, and building your creative team and support network.

    ACKNOWLEDGMENTS

    INTRODUCTION

    CHAPTER 1: GETTING STARTED

    MOVING TOWARD YOUR DREAM

    Big Buttery Acting and Developing Business Relationships

    An Interview With Richard Robichaux

    HOW TO BREAK IN

    An Agent’s Perspective

    An Interview With Kay Hilton

    TRAINING AND RESPECTING THE WORK

    A Director’s Perspective

    An Interview With David Hammond

    AUDITIONING FOR SHAKESPEARE

    By Joe Falocco

    IS A RESIDENT THEATER COMPANY FOR YOU?

    An Interview With Richard Rose

    By Amanda Nelson

    CHAPTER 2: STICKING IT OUT

    TRAINING YOUR VOICE FOR THE JOB

    An Interview With Bob Corff

    ESSENTIAL KNOWLEDGE AND HABITS

    For the Working Actor

    An Interview With Jordan Lund

    THIS IS NOT MY BEAUTIFUL HOUSE!

    A Semi-Imaginary Interview With Berliner Ensemble Actor Laura Tratnik

    By John Crutchfield

    WHEN IT FEELS IMPOSSIBLE

    An Interview With Regan Linton

    By Jason Dorwart

    A DIALOGUE ABOUT THE ART OF WORKING AS AN ACTOR

    By Kate Kramer and Elizabeth Stevens

    CHAPTER 3: FINDING SUCCESS

    THE TRIPLE CROWN OF ACTING

    The Road to Winning an Oscar, Emmy, and Tony

    An Interview With Ellen Burstyn

    CAREER STRATEGIES FOR PERFORMING ARTISTS

    By Amy Guerin

    YOU’RE SUCCESSFUL! NOW WHAT?

    An Agent’s Perspective

    By Richard Lucas

    EXPANDING YOUR VIEW OF SUCCESS

    Notes from the Acting Coach

    An Interview With Scott Fielding

    NOT STANDING ON CEREMONY

    How To Be an Amateur in the Theater

    By Phillip L. Beard

    CHAPTER 4: GETTING AHEAD

    CREATING A CONTEMPORARY LANGUAGE FOR THE STAGE

    An Interview With Caden Manson and Jemma Nelson

    By Emeline Jouve

    WORKING IN CORPORATE ENTERTAINMENT

    An Interview With Lisa Kovach

    SOCIALLY CONSCIOUS THEATER

    Acting as a Vessel for Change

    By Christina Rodriguez de Conte

    THE ACTOR WHO WRITES

    Another Tool for Your Toolbox

    By Robert Hedley

    A LIFE IN THE THEATER

    By Harriet Power

    CHAPTER 5: STARTING AGAIN

    UNDERSTANDING YOUR AUDIENCE

    By Kirsty Sedgman

    BEGINNING ACTING LATER IN LIFE

    An Interview With Mary Ann Thebus

    By Anna Hozian

    MANAGING REJECTION, DISAPPOINTMENT, AND SETBACKS

    By Carl Menninger and Lori Hammel

    1,000+ STAGE PERFORMANCES

    An Interview With 100-Year-Old Chemancheri Kunjiraman Nair

    By Akhila Vimal C

    SUCCESS AND THE RESET BUTTON

    A Moving Target

    By Deric McNish

    TEACHING ACTING IN PRISONS

    Lessons From the Actors’ Gang Prison Project

    An Interview With Sabra Williams

    INDEX

    Biography

    Anna Weinstein is the Series Editor for PERFORM. A writer and editor with over fifteen years of experience in educational publishing, she received her MFA in Writing for the Performing Arts from the University of California at Riverside--Palm Desert and her BA in Communication Studies/Performance from the University of North Carolina at Chapel Hill. She teaches introductory and advanced screenwriting at Auburn University, and she is a frequent contributor to Film International, where she publishes interviews with award-winning female directors in her series "Diva Directors Around the Globe."

    Chris Qualls is an Associate Professor of Theatre at Auburn University, where he teaches voiceover acting, acting for stage and screen, and introduction to theater. He received his MFA in Acting from the Alabama Shakespeare Festival and his BA in Communication Studies/Film from the University of North Carolina at Chapel Hill. He has worked as a voiceover actor for thirty years. His research and creative work focus on the integration of classical and nontraditional approaches to Shakespeare in performance, theater and media for social justice, and voice acting. He is a member of Actors’ Equity Association.

    "Every young actor anticipating a fulfilling life in the theater can benefit mightily from this book. There's lots of wisdom and helpful, practical advice here. It's up-to-date and comprehensive. The variety of perspectives helps to clarify the daunting, maybe overwhelming, prospect of entering this oh-so-demanding yet oh-so-rewarding field. A welcome addition to the PERFORM series. Thank you, Anna and Chris!"

    --Eric Forsythe, Head of Directing, University of Iowa Theatre, IA, USA


    "The most comprehensive and impressive collection of useful real-world advice about thoughtfully pursuing a career in the theater I have read in a very long time. If you are looking for one book that will improve your prospects and positively change your theatrical future, this is it." 

    --Guy Roberts, CEO & Artistic Director, Prague Shakespeare Company, Czech Republic

    "Required reading for any business class on acting. An invaluable book for anyone looking to peer into the real world of the working actor. Easy to read, with a wide array of working artists talking about how to live and breathe acting. This book could radically change your career. I wish someone had handed this to me 20 years ago!"

    --Richard Robichaux, Head of Acting, Penn State University, PA, USA