1st Edition

Play Readings A Complete Guide for Theatre Practitioners

By Rob Urbinati Copyright 2016
    238 Pages
    by Routledge

    238 Pages
    by Routledge

    Play Readings: A Complete Guide for Theatre Practitioners demystifies the standards and protocols of a play reading, demonstrating how to create effective and evocative readings for those new to or inexperienced with the genre. It examines all of the essential considerations involved in readings, including the use of the venue, pre-reading preparations, playwright/director communication, editing/adapting stage directions, casting, using the limited rehearsal time effectively, simple "staging" suggestions, working with actors, handling complex stage directions, talkbacks, and limiting the use of props, costumes, and music. A variety of readings are covered, including readings of musicals, operas, and period plays, for comprehensive coverage of this increasingly prevalent production form.

    ACKNOWLEDGEMENT AND CREDITS

    PREFACE

    INTRODUCTION

    PART ONE: BEFORE REHEARSALS

    CHAPTER ONE: GOING PUBLIC

    CHAPTER TWO: THE PRELIMINARIES

    CHAPTER THREE: TIME RESTRICTIONS

    CHAPTER FOUR: CASTING

    CHAPTER FIVE: MODEL FOR A PLAY READING

    CHAPTER SIX: STAGE DIRECTIONS

    PART TWO: REHEARSAL AND PERFORMANCE

    CHAPTER SEVEN: BEFORE REHEARSAL BEGINS

    CHAPTER EIGHT Movement, Gestures and Adapting Stage Directions in Rehearsal

    CHAPTER NINE: EDITING AND MOVEMENT FOR CHALLENGING TEXT AND STAGE DIRECTIONS

    CHAPTER TEN: REVIEW AND TECH

    CHAPTER ELEVEN: ACTING IN A PLAY READING

    CHAPTER TWELVE: DEVELOPMENT AND PRESENTATION

    CHAPTER THIRTEEN: DEVELOPING NEW MUSICALS AND OPERAS

    CHAPTER FOURTEEN: NON-DEVELOPMENTAL READINGS

    PART THREE: AFTER THE READING

    CHAPTER FIFTEEN: AUDIENCES AND TALKBACKS

    CHAPTER SIXTEEN: THE FOLLOW-UP

    EPILOGUE: MOVING FORWARD

    Appendix A – For Emerging Artists

    Appendix B – Unions and Guilds

    Appendix C – Selections, Cuttings and Excerpts

    Appendix D – A Playwright’s Responses: E. Rey Patmatat

    Appendix E – Advice from a Casting Director: Tom Rowan

    Appendix F – International Readings: Horacio Perez

    INDEX

    Biography

    Rob Urbinati is a freelance director and playwright based in New York City, and Director of New Play Development at Queens Theatre. In New York, he has directed for Pearl Theater, The Public Theater, Classic Stage Company, York Theatre, The Culture Project, Abingdon Theatre, Ensemble Studio Theatre, Cherry Lane Theatre and New York University. He has also directed at theatres and universities across the country. Rob's plays include "Hazelwood Jr. High," "West Moon Street" and "Death By Design," published by Samuel French. "Rebel Voices," "Cole Porter's Nymph Errant" and "The Queen Bees" will also be published by Samuel French. Other plays include "UMW," "Karaoke Night at the Suicide Shack" and "Mama's Boy." His plays have received over 100 productions world-wide. Rob is an alumnus of the Drama League Directors Project and the Lincoln Center Theater Directors Lab.