1st Edition

The Narratology of Comic Art

By Kai Mikkonen Copyright 2017
    324 Pages
    by Routledge

    312 Pages 44 B/W Illustrations
    by Routledge

    By placing comics in a lively dialogue with contemporary narrative theory, The Narratology of Comic Art builds a systematic theory of narrative comics, going beyond the typical focus on the Anglophone tradition. This involves not just the exploration of those properties in comics that can be meaningfully investigated with existing narrative theory, but an interpretive study of the potential in narratological concepts and analytical procedures that has hitherto been overlooked. This research monograph is, then, not an application of narratology in the medium and art of comics, but a revision of narratological concepts and approaches through the study of narrative comics. Thus, while narratology is brought to bear on comics, equally comics are brought to bear on narratology.



    List of Figures




    Acknowledgements





    Introduction: Comics, Narrative, and Medium





    Part I: Time in Comics



    1. Time in Comics





    Part II: Graphic Showing and Style



    2. Narration as Showing



    3. Character as a Means of Narrative Continuity



    4. Graphic Style, Subjectivity and Narration





    Part III: Narrative Transmission



    5. Narrative Agency (in Jiro Taniguchi’s A Distant Neighborhood)



    6. Focalisation in Comics



    7. Characterisation in Comics





    Part IV: Speech and Thought in Narrative Comics



    8. Presenting Minds in Comics



    9. Dialogue in Comics: Medium-specific features and basic narrative functions





    Part V: Narrative Form and Publication Format



    10. Picture Story and Narrative Organisation in Early Nineteenth-Century British



    11. Caricature and Comic Strips





    Afterword





    Bibliography

    Biography

    Kai Mikkonen is Associate Professor of Comparative Literature at the University of Helsinki, Finland.

    "The work embodies the inventive results possible when an adroit theorist explores a burgeoning field. I risk a cliché, although that makes it no less true, in saying: there is much to learn here. I speak especially for those who study comics but suspect the same is true for narratologists more broadly." - Jacob Murel, University of Memphis, Studies in Comics