1st Edition
Music and Marx Ideas, Practice, Politics
Edited By Regula Burckhardt Qureshi
Copyright 2003
268 Pages
by
Routledge
268 Pages
by
Routledge
272 Pages
by
Routledge
Also available as eBook on:
Well-known contributors analyze the ways in which Marxist thought enters into music discourse. Exploring everything from Marxism in hip-hop to feudal properties of Hindustani music to revolutionary music of Central America, the essays in this book find surprising, paradigm-shifting revelations. This book will revolutionize the way music production and consumption is viewed. First published in 2002.
Part I Commodification and Music Scholarship; Chapter 1 MUSIC SCHOLARSHIP, MUSICAL PRACTICE, AND THE ACT OF LISTENING, DAVID GRAMIT; Chapter 2 Commodity-Form, Disavowal, and Practices of Music Theory, HENRY KLUMPENHOUWER; Part II Capitalism and Musical Poetics; Chapter 3 Modernity and Musical Structure Neo-Marxist Perspectives on Song Form and Its Successors, PETER MANUEL; Chapter 4 The Hip-Hop Sublime as a Form of Commodification, ADAM KRIMS; Part III Relations of Production; Chapter 5 Mode of Production and Musical Production: Is Hindustani Music Feudal?, REGULA BURCKHARDT QURESHI; Chapter 6 The Capitalization of Musical Production: The Conceptual and Spatial Development of London’s Public Concerts, 1660–1750, ANTHONY A. OLMSTED; Chapter 7 Marx, Money, and Musicians, MARTIN STOKES; Part IV State and Revolutionary Marxism; Chapter 8 Musicological Memoirs on Marxism, IZALY ZEMTSOVSKY; Chapter 9 Making Marxist-Leninist Music in Uzbekistan, THEODORE LEVIN; Chapter 10 Central American Revolutionary Music, FRED JUDSON;
Biography
REGULA BURCKHARDT QURESHI
