1st Edition

Climate Fiction and Cultural Analysis A new perspective on life in the anthropocene

By Gregers Andersen Copyright 2020
    164 Pages
    by Routledge

    162 Pages
    by Routledge



    Climate Fiction and Cultural Analysis argues that the popularity of the term "climate fiction" has paradoxically exhausted the term’s descriptive power and that it has developed into a black box containing all kinds of fictions which depict climatic events and has consequently lost its true significance.



    Aware of the prospect of ecological collapse as well as our apparent inability to avert it, we face geophysical changes of drastic proportions that severely challenge our ability to imagine the consequences. This book argues that this crisis of imagination can be partly relieved by climate fiction, which may help us comprehend the potential impact of the crisis we are facing. Strictly assigning "climate fiction" to fictions that incorporate the climatological paradigm of anthropogenic global warming into their plots, this book sets out to salvage the term’s speculative quality. It argues that climate fiction should be regarded as no less than a vital supplement to climate science, because climate fiction makes visible and conceivable future modes of existence within worlds not only deemed likely by science, but which are scientifically anticipated.



    Focusing primarily on English and German language fictions, Climate Fiction and Cultural Analysis shows how Western climate fiction sketches various affective and cognitive relations to the world in its utilization of a small number of recurring imaginaries, or imagination forms.



    This book will be of great interest to students and scholars of ecocriticism, the environmental humanities, and literary and culture studies more generally.



    Acknowledgements





    Introduction: The Birth of a New Type of Fiction



    A Brief History of Global Warming



    What is Climate Fiction?



    The Context of this Book



    Presentation of Content





    Chapter 1: Cultural Hermeneutics



    Hermeneutics and Preunderstanding



    Approaching Climate Fiction





    Chapter 2: The Social Collapse



    From the Broken Social Contract to Climate War



    Post-apocalyptic Worlds



    The Uncanny as a Mood



    The Uncanny Relation to the World





    Chapter 3: The Judgment



    The Judgment in Cultural History



    The Judgment in Climate Fiction



    Serres, Latour, and the Imagination Form



    Another Uncanny Relation to the World



    The Judgment as a Denial of Responsibility





    Chapter 4: The Conspiracy



    The Conspiracy in Cultural History



    Doomsday Atmospheres



    The Arrival of the Super Computer



    Crichton and The Conspiracy



    The Suspicious Relation to the World





    Chapter 5: The Loss of Wilderness



    The Loss of Wilderness in Cultural History



    The Destructiveness of Humanity



    Another Suicidal Ice Lover



    Heidegger and the Imagination Form



    The Loving Relation to the World





    Chapter 6: The Sphere



    The Sphere in Cultural History



    Bubbles



    The Globe



    Sloterdijk and the Imagination Form



    The Anthropotechnical Relation to the World





    Chapter 7: The Birth of a New Perspective



    Beyond the Grid of the Imagination Forms



    Two Functions of Climate Fiction





    Bibliography

    Biography

    Gregers Andersen is a postdoctoral researcher in environmental humanities at the Department of English, Stockholm University. He has published articles in several international journals on how literature, films, cultural theory, and philosophy can shed light upon human and non-human conditions in the Anthropocene.