The Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling students and researchers to read for themselves, for example, comments on early performances of Shakespeare's plays, or reactions to the first publication of Jane Austen's novels. The carefully selected sources range from landmark essays in the history of criticism to journalism and contemporary opinion, and little published documentary material such as letters and diaries. Significant pieces of criticism from later periods are also included, in order to demonstrate the fluctuations in an author's reputation.<BR> Each volume contains an introduction to the writer's published works, a selected bibliography, and an index of works, authors and subjects.The Collected Critical Heritage set will be available as a set of 68 volumes and the series will also be available in mini sets selected by period (in slipcase boxes) and as individual volumes.
Chapter 1; 205. Samuel Johnson, edition of Shakespeare 1765; Chapter 2 206. George Colman, Johnson's edition reviewed 1765; Chapter 3 207. William Kenrick, Johnson attacked 1765; Chapter 4 208.William Guthrie, J ohnson reviewed 1765–6; Chapter 5 209. James Barclay, Johnson defended 1766; Chapter 6 210. Thomas Tyrwhitt, on editing Shakespeare 1766; Chapter 7 211. George Steevens, on Shakespearian scholarship 1766; Chapter 8 212. George Steevens, proposals for a new edition of Shakespeare 1766; Chapter 9 213. Richard Hurd, Shakespeare's pastorals 1766; Chapter 10 214. Richard Farmer, Shakespeare's lack of classical learning 1767; Chapter 11 215. William Guthrie, Farmer reviewed 1767; Chapter 12 216. T. W., on three Shakespearian tragedies 1768; Chapter 13 217. George Colman, Farmer criticized 1768; Chapter 14 218. George Colman, King Lear Part ly restored 1768; Chapter 15 219. Richard Warner, Shakespeare's language 1768; Chapter 16 220. Edward Capell, introduction to Shakespeare 1768; Chapter 17 221. Elizabeth Montagu, Shakespeare's genlus 1769; Chapter 18 222. David Garrick, Jubilee Ode to Shakespeare 1769; Chapter 19 223. Unsigned oration, In honour of Shakepeare 1769; Chapter 20 224. U nsigned essay, on the deficiencies of English drama 1769; Chapter 21 225. Charles Jennens, on editing King Lear 1770; Chapter 22 226. William Duff, Shakespeare's genius 1770; Chapter 23 227. Prancis Gentleman, Shakespeare the dramatist 1770; Chapter 24 228. Paul Hiffernan, idolizing Shakespeare 1770; Chapter 25 229. Edward Burnaby Greene, rhetoric in Shakespeare 1770; Chapter 26 230. John Armstrong, Shakespeare and the Unities 1770; Chapter 27 231. J. R., Ode to Shakespeare1771; Chapter 28 232. Richard Cumberland, adaptation of Timon of Athens 1771; Chapter 29 233. John Potter, Shakespeare in the theatre 1771–2; Chapter 30 234. George Steevens, Shakespeare in the theatre 1771–2; Chapter 31 235 George Steevens, advice to Garrick on adapting Hamlet 1771; Chapter 32 236. David Garrick, adaptation of Hamlet 1772; Chapter 33 237 Various writers,Garrick's Hamlet reviewed 1772–3; Chapter 34 238. George Steevens, Shakespeare in the theatre, 1772–3; Chapter 35 239. Tate Wilkinson, adaptation of Hamlet 1773; Chapter 36 240. George Steevens and Samuel Johnson, edition of Shakespeare 1773; Chapter 37 241. Thomas Hawkins, Eng1ish drama before Shakespeare 1773; Chapter 38 242. Edward Capell, notes on Shakespeare 1774;
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