September 1, 2019 Forthcoming
Reference - 400 Pages - 70 B/W Illustrations
ISBN 9781138485112 - CAT# K349288
Series: Routledge Studies in Middle East Film and Media
This volume compares the cinemas of Iran and Turkey in terms of the presence and absence of women on both sides of the camera. From a critical point of view, it provides detailed readings of works by both male and female film-makers, emphasising issues facing women's film-making.
Presenting an overview of the modern histories of the two neighbouring countries the study traces certain similarities and contrasts, particularly in the reception, adaption and representation of Western modernity and cinema. This is followed by the exploration of the images of women on screen with attention to minority women, investigating post-traumatic cinema's approaches to women (Islamic Revolution of 1979 in Iran and the 1980 coup d’état in Turkey) and women's interpretations of post-traumatic experiences. Furthermore, the representations of sexualities and LGBTI identities within cultural, traditional and state-imposed restrictions are also discussed. Investigating border-crossing in physical and metaphorical terms, the research explores the hybridities in the artistic expressions of 'deterritorialized' film-makers negotiating loyalties to both vatan (motherland) and the adopted country.
This comprehensive analysis of the cinemas of Iran and Turkey, based on extensive research, fieldwork, interviews and viewing of countless films is a key resource for students and scholars interested in film, gender and cultural studies and the Middle East.
1. Inflated Plastic Dolls, Patience Stones, Honour Bearers and Home-Breakers and 'Commodified Others' to Free Agents: Screen Images of Women
2. Women on the Thorny Trail of Image-Making
3. Post-Traumatic Cinema and Gender
4. Narratives of Resistance
5. Sexualities and Queer Imaginaries
6. Border-Crossings and 'Deterritorialized' Film-Makers
7. His Films: Abbas Kiarostami and Nuri Bilge Ceylan