Twenty years after the fall of Communism in Central and East Europe is an ocassion to reevaluate the cultural and theological contribution from that region to the secularization - post-secularization debate. Czech theologian Ivana Noble develops a Trinitarian theology through a close dialogue with literature, music and film, which formed not only alternatives to totalitarian ideologies, but also followed the loss and reappeareance of belief in God. Noble explains that, by listening to the artists, the churches and theologians can deal with questions about the nature of the world, memory and ultimate fulfilment in a more nuanced way. Then, as partakers in the search undertaken by their secular and post-secular contemporaries, theologians can penetrate a new depth of meaning, sending out shoots from the stump of Christian symbolism. Drawing on the rich cultures of Central and East Europe and both Western and Eastern theological traditions, this book presents a theological reading of contemporary culture which is important not just for post-Communist countries but for all who are engaged in the debate on the boundaries between theology, politics and arts.
Table of Contents
Contents: Preface; Introduction: culture as a theological theme; Part I The World: Images of the world in Karel Capek and Isaac Bashevis Singer; Theologies of the world. Part II Memory: Heritage of totaltarian cultures in folk music; Redemptive memory on theology. Part III The Ultimate Fulfilment: Figuring the ultimate fulfilment in Central European cinema; Love as the ultimate fulfilment in theology; Conclusion; Bibliography; Index.
Selected winner of The Competition of High Quality Monographs of Charles University, Prague, 2012. 'Ivana Noble has written a sensitive and powerful book, courageous in its honest pathos for humanity and inspiring with its humble confidence. In these pages the soul of Central-Eastern Europe comes to life as this talented theologian graces us with knowledge of how religious symbols and meaning cultivate the human search for meaning under the ambivalent surfaces of life, in once aggressive but now post-secular societies. Noble offers us in the West an encounter with the Other that cannot but give much food for thought about religion in our own increasingly post-institutional religious situations. Original not only in content but also methodology, her text promises numerous insights for political theology, liturgical studies, theological aesthetics, indeed, for all seeking to construct theologies at once fundamental and practical in this postmodern age.' Bruce T. Morrill, SJ, Boston College, USA ’How much do you know about Czech theology? If someone asked me this question I would have to confess that the answer is 'almost nothing'. There are several good reasons for reading Ivana Noble's book ...but one of them surely is that it makes me realise that what usually goes under the name of European theology most often is something less than that. ... Noble herself belongs to a post-Communist generation of theologians (and philosophers) that are beginning to be heard by a wider theological audience to the benefit of a somewhat myopic 'European' theological debate....This is good theology of culture, period. ...I started reading this book to get to know more about post-Communist culture, I ended up deepening my grasp of theology's mission as well.’ Journal of Reformed Theology 'Noble's project is both fascinating and challenging in endeavouring to describe things which are meant to be seen, listened to, or read. In some way, Theological Interpretation is a guide and