May 17, 2019 Forthcoming
Reference - 368 Pages - 25 B/W Illustrations
ISBN 9781138486140 - CAT# K348556
Series: SOAS Musicology Series
The Sound State of Uzbekistan: Popular Music and Politics in the Karimov Era is a pioneering study of the intersection between popular music and state politics in Central Asia. Based on 20 months of field- and archival work in Tashkent, this book explores a remarkable era in Uzbekistan’s politics (2001-2016), when the Uzbek government promoted a rather unlikely candidate to the prominent position of state sound: estrada, a genre of popular music and a musical relic of socialism. The political importance it attached to estrada was matched by the establishment of an elaborate bureaucratic apparatus for state oversight.
The Sound State of Uzbekistan shows the continuing legacy of Soviet concepts for framing the nexus between music, artists and the state, and for explaining the extraordinary potency ascribed to estrada. At the same time, it challenges classical readings of transition and also questions common binary models for researching culture in totalitarian or authoritarian states. Proposing to approach lives in music under authoritarianism as a form of normality instead, the author promotes a post-Cold War paradigm in music studies.
1. Administering Estrada: Decrees, Institutions and Policies 2. Approaching Estrada: Opposition, Affirmation and Beyond 3. Staging Estrada I: Concerts, reyting and Artisthood 4. Staging Estrada II: Competitions and Other Activities "at the State Level" 5. Nationalising Estrada: The Concept of milliy estrada 6. Authorising Estrada: Licences, Certificates and the Status of milliy estrada 7. Mobilising Estrada: Independence Ideology, Nationalist Realism and the Workings of milliy estrada