The Materiality of Religion in Early Modern English Drama is the first book to present a detailed examination of early modern theatrical properties informed by the complexity of post-Reformation religious practice. Although English Protestant reformers set out to destroy all vestiges of Catholic idolatry, public theater companies frequently used stage properties to draw attention to the remnants of traditional religion as well as the persistent materiality of post-Reformation worship. The Materiality of Religion in Early Modern English Drama explores the relationship between popular culture and theatrical performance by considering the social history and dramatic function of these properties, addressing their role as objects of devotion, idolatry, and remembrance on the professional stage. Rather than being aligned with identifiably Catholic or Protestant values, the author reveals how religious stage properties functioned as fulcrums around which more subtle debates about the status of Christian worship played out. Given the relative lack of existing documentation on stage properties, The Materiality of Religion in Early Modern English Drama employs a wide range of source materials-including inventories published in the Records of Early English Drama (REED) volumes-to account for the material presence of these objects on the public stage. By combining historical research on popular religion with detailed readings of the scripts themselves, the book fills a gap in our knowledge about the physical qualities of the stage properties used in early modern productions. Tracing the theater's appropriation of highly charged religious properties, The Materiality of Religion in Early Modern English Drama provides a new framework for understanding the canonization of early modern plays, especially those of Shakespeare.
Table of Contents
Contents: Introduction: mere properties: the materiality of religious objects; 'Things newly performed': tomb properties and the survival of dramatic tradition; The trappings of ceremony: setting the table and other theatrical practices; Persistence and adaptation: staging the cross at home and abroad; The performance of piety: book properties and the paradox of dematerialized devotion; Coda: unconsidered trifles: stage properties as theatrical relics; Select bibliography; Index.
’Williamson's research establishes a fruitful conversation among scholarly fields that are not always perceived as overlapping one another. ... As a result, one of the book's most attractive features is the impressive range of sources - including both early modern documents and modern critical works. ... The Materiality of Religion in Early Modern English Drama will prove valuable to scholars of Reformation history, theatrical history and material culture alike.’ Renaissance Quarterly '... the study also makes a valuable contribution to post-revisionist scholarship on the longer-term impact of the English Reformation. ... should be commended for such deft and effective straddling of the study of early modern drama, performance and religion...' Recusant History 'The Materiality of Religion in Early Modern English Drama will be of great interest to scholars of early modern stagecraft, religion, and performance hIstory.' Medieval and Renaissance Drama in England