1st Edition

T.S. Eliot Volume I

Edited By Michael Grant Copyright 1982

    This set comprises 40 volumes covering nineteenth and twentieth century European and American authors. These volumes will be available as a complete set, mini boxed sets (by theme) or as individual volumes.
    This second set compliments the first 68 volume set of Critical Heritage published by Routledge in October 1995.

    Part 1 ‘Prufrock and Other Observations’; Chapter 1 Arthur Waugh, The New Poetry, ‘Quarterly Review’; Chapter 2 Ezra Pound, Drunken Helots and MR. Eliot, ‘Egoist’; Chapter 3 Unsigned Review, ‘Times Literary Supplement’; Chapter 4 From an Unsigned Review, ‘Literary World’; Chapter 5 Unsigned Review, ‘New Statesman’; Chapter 6 Ezra Pound, T.S. Eliot, ‘Poetry’; Chapter 7 Conrad Aiken, Divers Realists, ‘Dial’; Chapter 8 Ezra Pound, A Letter from Remy de Gourmont, ‘Little Review’; Chapter 9 May Sinclair, ‘Prufr0Ck and Other Observations’: A Criticism, ‘Little Review’; Chapter 10 Babette Deutsch, Another Impressionist, ‘New Republic’; Chapter 11 Marianne Moore, A Note on T.S. Eliot'S Book, ‘Poetry’; Chapter 12 Edgar Jepson, Recent United States Poetry, ‘English Review’; Chapter 13 William Carlos Williams, Prologue, ‘:Little Review’; Part 2 ‘Poems’; Chapter 14 Unsigned Review, Not Here, O Apollo, ‘Times Literary Supplement’; Chapter 15 From an Unsigned Review, is this Poetry?, ‘Athenaeum’; Part 3 ‘Ara Vos Prec’; Chapter 16 John Middleton Murry, The Eternal Footman, ‘Athenaeum’; Chapter 17 Unsigned Review, A New Byronism, ‘Times Literary Supplement’; Chapter 18 Robert Nichols, An Ironist, ‘Observer’; Chapter 19 Desmond Maccarthy, New Poets, T.S. Eliot, ‘New Statesman’; Chapter 20 Clive Bell, Plus de Jazz, ‘New Republic’; Part 4 ‘Poems’; Chapter 21 Marion Strobel, Perilous Leaping, ‘Poetry’; Chapter 22 E.E. Cummings, T.S. Eliot, ‘Dial’; Chapter 23 Mark van Doren, Anglo-Saxon Adventures in Verse, ‘Nation’ (New York); Chapter 24 Louis Untermeyer, Irony De Luxe, ‘Freeman’; Chapter 25 Raymond Weaver, What Ails Pegasus?, ‘Bookman’ (New York); Chapter 26 Padraic Colum, Studies in The Sophisticated, ‘New Republic’; Part 5 'The Waste Land’; Chapter 27 Unsigned Notice of the First Issue of the ‘Criterion’ and Review of ‘The Waste Land’, ‘Times Literary Supplement’; Chapter 28 Unsigned Comment on the ‘Dial’ Award of $2,000 to ‘The Waste Land’, ‘New York Times Book Review’; Chapter 29 Unsigned Account of Why Eliot Was Awarded the ‘Dial's’ Prize, ‘Dial’; Chapter 30 Edmund Wilson, the Poetry of Drouth, ‘Dial’; Chapter 31 Gilbert Seldes, T.S. Eliot, ‘Nation’ (New York); Chapter 32 Louis Untermeyer, Disillusion vs. Dogma, ‘Freeman’; Chapter 33 Elinor Wylie, Mr. Eliot's Slug-Horn, ‘New York Evening Post Literary Review’; Chapter 34 Conrad Aiken, An Anatomy of Melancholy, ‘New Republic’; Chapter 35 Harold Monro, Notes for a Study of ‘The Waste Land’: An Imaginary Dialogue with T.S. Eliot, ‘Chapbook’; Chapter 36 Harriet Monroe, a Contrast, ‘Poetry’; Chapter 37 J.M., Review, ‘Double Dealer’; Chapter 38 John Crowe Ransom, Waste Lands, ‘New York Evening Post Literary Review’; Chapter 39 Allen Tate, A Reply to Ransom, ‘New York Evening Post Literary Review’; Chapter 40 Helen Mcafee, The Literature of Disillusion, ‘Atlantic’; Chapter 41 Edgell Rickword, Unsigned Review, A Fragmentary Poem, ‘Times Literary Supplement’; Chapter 42 Clive Bell, T.S. Eliot, ‘Nation and Athenaeum’; Chapter 43 J.C. Squire on Eliot's Failure to Communicate, ‘London Mercury’; Chapter 44 William Rose BenÉt, Among the New Books. Poetry Ad Lib, ‘Yale Review’; Chapter 45 Charles Powell, Review, ‘Manchester Guardian’; Chapter 46 F.L. Lucas, Review, ‘New Statesman’; Chapter 47 Humbert Wolfe, Waste Land and Waste Paper, ‘Weekly Westminster’; Chapter 48 Gorham B. Munson, The Esotericism of T.S. Eliot, ‘1924’; Part 6 ‘Poems 1909–1925’; Chapter 49 Leonard Woolf, ‘Jug Jug’ To Dirty Ears, ‘Nation and Athenaeum’; Chapter 50 Edgell Rickword, The Modern Poet, ‘Calendar of Modern Letters’; Chapter 51 Louise Morgan, The Poetry of Mr. Eliot, ‘Outlook’ (London); Chapter 52 John Middleton Murry on Eliot and The ‘Classical’ Revival, ‘Adelphi’; Chapter 53 I.A. Richards, Mr. Eliot's Poems, ‘New Statesman’; Chapter 54 Edmund Wilson, Stravinsky and Others, ‘New Republic’; Chapter 55 J.C. Squire on Eliot's Meaninglessness, ‘LOndon Mercury’; Chapter 56 Allen Tate, A Poetry of Ideas, ‘New Republic’; Chapter 57 Conrad Aiken, from The Poetic Dilemma, ‘Dial’; Part 7 ‘Ash-Wednesday’; Chapter 58 Gerald Heard, T.S. Eliot, ‘Week-End Review’; Chapter 59 Francis Birrell, Mr. T.S. Eliot, ‘Nation and Athenaeum’; Chapter 60 Eda Lou Walton, T.S. Eliot Turns to Religious Verse, ‘New York Times Book Review’; Chapter 61 Orgill Mckenzie, Review, ‘New Adelphi’; Chapter 62 Edmund Wilson, Review, ‘New Republic’; Chapter 63 Morton D. Zabel, T.S. Eliot In Mid-Career, ‘Poetry’; Chapter 64 Thomas Moult, from Contrasts in Current Poetry, ‘Bookman’ (London); Chapter 65 William Rose Benet, from round about Parnassus, Saturday Review’; Chapter 66 E.G. Twitchett, Review, ‘London Mercury’; Chapter 67 Brian Howard, Mr. Eliot's Poetry, ‘New Statesman’; Chapter 68 Allen Tate, Irony and Humility, ‘Hound and Horn’; Part 8 ‘Marina’; Chapter 69 Marianne Moore, a Machinery of Satisfaction, ‘Poetry’; Part 9 ‘Triumphal March’; Chapter 70 Morton D. Zabel, The Still Point, ‘Poetry’; Part 10 ‘Sweeney Agonistes’; Chapter 71 D.G. Bridson, Review, ‘New English Weekly’; Chapter 72 George Barker, from a Review, ‘Adelphi’; Chapter 73 Morton D. Zabel, a Modern Purgatorio, ‘Commonweal’; Chapter 74 Marianne Moore, Review, ‘Poetry’; Part 11 ‘The Rock’; Chapter 75 Undigned Review, ‘Listener’; Chapter 76 Unsigned Review, Mr. Eliot's Pageant Play, ‘Times Literary Supplement’; Chapter 77 Michael Sayers, Mr. T.S. Eliot's ‘The Rock’, ‘New English Weekly’; Chapter 78 Unsigned Editorial on ‘The Rock’, ‘Theology’; Chapter 79 Unsigned Review, ‘Tablet’; Chapter 80 Unsigned Review, ‘Everyman’; Chapter 81 A.M., Review, ‘Blackfriars’; Chapter 82 Unsigned Review, ‘s Sunday Times’; Chapter 83 D.W. Harding, ‘The Rock’, ‘Scrutiny’; Chapter 84 Conrad Aiken, After ‘Ash-Wednesday’, ‘Poetry’; Part 12 ‘Murder in the Cathedral’; Chapter 85 Unsigned Review, Mr. Eliot's New Play, ‘Times Literary Supplement’; Chapter 86 I.M. Parsons, from Poetry, Drama and Satire, ‘Spectator’; Chapter 87 James Laughlin, Mr. Eliot on Holy Ground, ‘New English Weekly’; Chapter 88 Edwin Muir, New Literature, ‘London Mercury’; Chapter 89 Mark Van Doren, The Holy Blisful Martir, ‘Nation’ (New York); Chapter 90 F.O. Matthiessen, T.S. Eliot's Drama of Becket, ‘Saturday Review’; Chapter 91 Edward Shillito, Review, ‘Christian Century’; Chapter 92 Frederick A. Pottle, from Drama of Action, ‘Yale Review’; Part 13 ‘Collected Poems 1909–1935’; Chapter 93 John Hayward, London Letter, ‘New York Sun’; Chapter 94 Edwin Muir, Mr. Eliot's Poetry, ‘Spectator’; Chapter 95 Peter Quennell, Mr. T.S. Eliot, ‘New Statesman’; Chapter 96 Cyril Connolly, a Major Poet. the Influence of Mr Eliot, ‘Sunday Times’; Chapter 97 Malcolm Cowley, Afterthoughts on T.S. Eliot, ‘New Republic’; Chapter 98 Marianne Moore, it is not Forbidden to Think, ‘Nation’ (New York); Chapter 99 Morton D. Zabel, from Poets of Five Decades, ‘Southern Review’; Chapter 100 Rolfe Humphries, Eliot's Poetry, ‘New Masses’; Chapter 101 D.W. Harding, T.S. Eliot, 1925–1935, ‘Scrutiny’; Chapter 102 Louis Untermeyer, from New Poetry, ‘Yale Review’; Chapter 103 R.P. Blackmur, The Whole Poet, ‘Poetry’;

    Biography

    Michael Grant