1st Edition

Richard Foreman An American (Partly) in Paris

By Neal Swettenham Copyright 2018
    238 Pages 4 B/W Illustrations
    by Routledge

    238 Pages 4 B/W Illustrations
    by Routledge

    Richard Foreman has been writing, directing and designing avant-garde theatre in New York since he first founded his Ontological-Hysteric company there in 1968. In all that time, few directors have taken up the challenge of staging his problematic, rewarding texts, and Foreman's work remains under-explored by other practitioners.

    Richard Foreman: An American (Partly) in Paris argues that Foreman can productively be viewed as a (partly) European artist, whose thinking and theatre-making have been radically shaped by contact with Europe. Through a detailed account of his European productions, interviews with Foreman himself, a set of practical strategies for staging the plays and the full text of Foreman's previously unpublished play Georges Bataille’s Bathrobe (1983), Neal Swettenham introduces the director’s work to a new generation of readers and theatre-makers.

    Foreword
    Introduction  

    PART I

    1 An American in Paris

    Classical Therapy sous l’influence de...ou Thérapie

    Livre des Splendeurs

    2 O. H. Theatre

    Place + Target

    Café Amérique

    Faustus ou La fête électrique

    Die Fledermaus

    3 An awkward ugly American

    La Robe de Chambre de Georges Bataille

    Birth of the Poet

    Ma Vie, Ma Mort

    Africanus Instructus

    Love and Science

    Don Giovanni

    4 On the road

    Permanent Brain Damage

    Pearls For Pigs

    Hotel Fuck

    Bad Boy Nietzsche!

    Now That Communism Is Dead My Life Feels Empty!

    Panic! (How to Be Happy!)

    The Bridge Project

    PART II

    5 Foreman’s unbalancing acts

    What is drama for?

    The manifestos

    Postdramatic theatre

    Staging the texts

    6 Cracking the code

    Directorial strategies

    The actor’s task

    Scenography

    A critical question

    7 Staging and Subjectivity

    In the rehearsal room

    The inevitability of failure

    Film is evil…

    …Radio is good

    Hysterical

    Scenography revisited

    Wake up!

    Todo Con Nada

    PART III

    Georges Bataille’s Bathrobe (La Robe de Chambre de Georges Bataille)

    Afterword

    Biography

    Neal Swettenham is a former head of drama and visiting lecturer at Loughborough University, UK, and founded the Richard Foreman Research Archive housed there.