REMAPPING WORLD CINEMA: Regional Tensions and Global Transformations rewrites the territory of contemporary world cinema, revising outdated assumptions of national cinemas, replacing complacent views of hegemonic film cultures and challenging retrograde ideas of production, distribution and reception. It remaps established territories such as American, European and Asian cinema and explores new territories that exist both within and beyond nation-states such as regional cinemas and online communities, while also demarcating important contexts for global cinema such as festival circuits and the discipline of film studies itself.
Edited
By Paulo de Medeiros, Livia Apa
May 27, 2024
Offering a range of critical perspectives on a vibrant body of films, this collection of essays engages with questions specific to the various cinemas and films addressed while putting forward an argument for their inclusion in current debates on world cinema. The collection brings together ...
By Felicity Gee
April 20, 2021
This book follows the hybrid and contradictory history of magic realism through the writings of three key figures – art historian Franz Roh, novelist Alejo Carpentier, and cultural critic Fredric Jameson – drawing links between their political, aesthetic, and philosophical ideas on art’s ...
By Stephanie Dennison
October 30, 2019
Remapping Brazilian Film Culture makes a significant contribution not only to debates about Brazilian national cinema, but more generally about the development of world cinema in the twenty-first century. This book charts the key features of Brazilian film culture of the first two decades of ...
By David Martin-Jones
September 20, 2018
When is it OK to lie about the past? If history is a story, then everyone knows that the 'official story' is told by the winners. No matter what we may know about how the past really happened, history is as it is recorded: this is what George Orwell called doublethink. But what happens to all the ...
Edited
By Sally Faulkner
April 12, 2016
Middlebrow Cinema challenges an often uninterrogated hostility to middlebrow culture that frequently dismisses it as conservative, which it often is not, and feminized or middle-class, which it often is. The volume defines the term relationally against shifting concepts of ‘high’ and ‘low’, and ...