Iracema H. Dulley
March 29, 2019 Forthcoming
Reference - 174 Pages
ISBN 9781138314153 - CAT# K391093
Series: Theorizing Ethnography
Roy Wagner’s work deals with a fundamental issue in anthropology: how to describe difference and where to place it in anthropological discourse. His discussion and displacement of anthropological concepts such as ‘group’ and ‘culture’ in the 1970s and 1980s has arguably encouraged a deconstructive undertaking in the discipline. Wagner’s work, although part of the radicalizing move of the 1970s and 1980s in anthropology, was until some years ago not a central reference for anthropological theory.
The question Dulley asks throughout her engagement with Roy Wagner’s main essays is whether it is possible for the emic gesture to account for difference within difference without falling into the closure of totalization. Wagner’s work contains this potentiality, but is hindered by its very foundation: the emic gesture, in which difference is circumscribed through a name that others. If this gesture is one of the pillars of anthropology, and one that allows for the inscription of difference, the reflection proposed in this book concerns anthropology as a whole: How can one inscribe difference within difference? Dulley argues that this can only be accomplished through an erasure of the emic.
Offering a comprehensive discussion of Roy Wagner’s concepts and a detailed reading of his most important work, this book will be of interest to anyone who wishes to reflect on the relationship between ethnography and difference, and especially those who in various ways engage with the ‘ontological turn’. As the book reflects on how Derridean différance can be appropriated by anthropology in its search for subtler and more critical ethnographic accounts, anthropologists interested in post-structuralist theory and methodology will also found it useful.
1. Introduction: Difference and Ethnography in Roy Wagner
2. Deconstruction, Alterity, Différance
3. Inventing Culture
4. Groups and Others
5. The Names of Others
6. On Metaphor
7. Final Remarks: Beyond the Emic Gesture
8. A Short Note, Under the Guide of Post-Script