1st Edition

Narrating Death The Limit of Literature

Edited By Daniel Jernigan, Walter Wadiak, Michelle Wang Copyright 2019
    224 Pages
    by Routledge

    224 Pages
    by Routledge

    Drawing on literary and visual texts spanning from the twelfth century to the present, this volume of essays explores what happens when narratives try to push the boundaries of what can be said about death.



    List of Contributors



    Introduction



       DANIEL K. JERNIGAN, WALTER WADIAK, and W. MICHELLE WANG





    PART I



    The Uncrossable Border







    1 Photography and First-Person Death: Derrida, Barthes, Poe



       KEVIN RIORDAN







    2 "This memoryall men may have in mynd": Everyman and the Work of Mourning



       WALTER WADIAK







    3 From Nothing to Never? Facing Death in King Lear



       MICHAEL NEILL







    4 "Is there no danger in counterfeiting death?": Molière’s The Imaginary Invalid







       DANIEL K. JERNIGAN



    PART II



    Trajectories







    5 "She is the God of Calvin, she sees the beginning and the end": Narrating Life and Death in the Fiction of Muriel Spark







       JOSEPH H. O’MEALY







    6 Talking to the Dead: Narrative Closure and the Political Unconscious in Neil Jordan’s Fiction







       KEITH HOPPER







    7 Samuel Johnson and the Grammar of Death





       LAURA DAVIES





    8 Death and Romance in Sir Orfeo





       ELIZABETH ALLEN







    PART III



    Aesthetic Crossings







    9 Death and the Maidens: John Banville’s Ekphrastic Storyworlds





       NEIL MURPHY



    10 Blood Meridian, the Sublime, and Aesthetic Narrativizations of Death







       W. MICHELLE WANG





    11 Murder Amidst the Chocolates: Martin McDonagh’s Multifaceted Uses of Death in In Bruges





       WILLIAM C. BOLES





    12 The Ruined Voice in Tom Murphy’s Bailegangaire







       CHERYL JULIA LEE





    Index

    Biography

    Daniel K. Jernigan is Associate Professor of English Literature at Nanyang Technological University (NTU), Singapore. He has written extensively on Tom Stoppard, including his monograph, Tom Stoppard: Bucking the Postmodern (2013). He also edited Flann O’Brien: Plays and Teleplays (2013), and Aidan Higgins’s collection of radio plays, Darkling Plain: Texts for the Air (2010).





    Walter Wadiak is Assistant Professor of English at Lafayette College. He specializes in Middle English literature and has written for Exemplaria, Philological Quarterly, and Glossator. His book, Savage Economy: The Returns of Middle English Romance (Notre Dame, 2016), examines the afterlives of chivalric culture in late-medieval English romances.



    W. Michelle Wang is Assistant Professor at Nanyang Technological University’s School of Humanities, English. She received her Ph.D from The Ohio State University and was postdoctoral fellow at Queen Mary University of London, specializing in postmodern and contemporary fiction. She has published articles in the journals Narrative, Review of Contemporary Fiction, and Journal of Narrative Theory.

    "The editors offer a valuable, singular study probing strategies for negotiating the unknowable passage from life to death as depicted in a diverse range of international literary classics. Emphasizing aesthetic devices and philosophical underpinings used by authors of each literary classic chosen, the conception of death as a passage exposes the limits and transformative qualities of death, that ‘uncrossable border.’ This is a major study certain to inspire scholars to pursue further examinations of this most universal of journeys."

    -- James Fisher, The University of North Carolina at Greensboro