John Merbecke (c.1505-c.1585) is most famous as the composer of the first musical setting of the English liturgy, The Booke of Common Praier Noted (BCPN), published in 1550. Not only was Merbecke a pioneer in setting English prose to music but also the compiler of the first Concordance of the whole English Bible (1550) and of the first English encyclopaedia of biblical and theological studies, A Booke of Notes and Common Places (1581). By situating Merbecke and his work within a broader intellectual and religio-cultural context of Tudor England, this book challenges the existing studies of Merbecke based on the narrow theological approach to the Reformation. Furthermore, it suggests a re-thinking of the prevailing interpretative framework of Reformation musical history. On the basis of the new contextual study of Merbecke, this book seeks to re-interpret his work, particularly BCPN, in the light of humanist rhetoric. It sees Merbecke as embodying the ideal of the 'Christian-musical orator', demonstrating that BCPN is an Anglican epitome of the Erasmian synthesis of eloquence, theology and music. The book thus depicts Merbecke as a humanist reformer, through re-evaluation of his contributions to the developments of vernacular music and literature in early modern England. As such it will be of interest, not only to church musicians, but also to historians of the Reformation and students of wider Tudor culture.
Table of Contents
Contents: Foreword; Introduction; A humanist John Merbecke; Erasmian humanism and the reform of sacred music; Anglican plainchant in the making; Rhetoric and the reform of plainchant in The Booke of Common Praier Noted (1550); Conclusion; Appendix; Bibliography; Index.
’...will significantly shift the angle from which the subjects have been viewed, filling gaps in the literature... may well remain for some time as the first reference for scholars on the topics concerned...the book will be of interest to musicologists, to historians of the Reformation and to theologians with an interest in the aesthetics of music...There is much to be heartily welcomed in the book.’ Reviews in History ’...packed with interesting facts and figures...to be welcomed for shedding more light on what has been a badly neglected area in liturgical history.’ The Tablet ’...this is a scholarly work which has much to teach us about the religious and musical milieu of which Merbecke formed a notable part.’ Reformation and Renaissance Review ’This is a very substantial book, carefully and thoroughly researched and containing a large bibliography. ... In short: this is an important book, and not only for musicians...’ The Consort 'This book is valuable for the fresh look that it takes of John Merbecke.' Music and Letters