1st Edition

George Eliot’s Moral Aesthetic Compelling Contradictions

By Constance Fulmer Copyright 2019
    204 Pages
    by Routledge

    204 Pages
    by Routledge

    George Eliot’s serious readers have been intrigued by the fact that she declared that she had lost her faith in God and had renounced her hope for a traditional Christian heaven and yet she continued to preach her own version of morality in everything she wrote, to hope for an immortality which allowed her to join an invisible choir which would influence generations to come, and to be concerned about the moral growth of her characters. This is only one of the many compelling contradictions in her life and in her artistry.



    This volume aims to investigate Eliot’s ethical and artistic principles by defining her moral aesthetic as it relates to her self-concept and exploring Eliot’s narrative decisions and the decisions made by her characters and the circumstances which prompt those choices. Dr. Fulmer includes chapters on her clerical figures and other types of individuals such as musicians, and politicians. Dr. Fulmer also illuminates the paradoxes and contradictions in George Eliot’s life and in her philosophy by focusing on Eliot's use of animals, mirrors, windows, jewelry, wills and other tangible images in her poetry as well as her novels.



    George Eliot’s Moral Aesthetic contends that everything about her moral philosophy is related to her writing and that everything about her writing is related to her moral philosophy.

     

    Introduction: Definition of George Eliot’s Moral Aesthetic



    Chapter One: Development of George Eliot’s Moral Aesthetic



    Chapter Two: The Word Made Flesh



    Chapter Three: Self-Concept, Music, and Art



    Chapter Four: Paradigms of Moral Atrophy and Growth



    Chapter Five: Chosen by Hereditary Forces to be Other



    Chapter Six: Contrasting Pairs, Mirrors, and Windows



    Chapter Seven: Family Relationships and Jewelry



    Chapter Eight: Collectors and Collections of Clerics



    Chapter Nine: Political Reformers



    Chapter Ten: Scenes Involving Animals



    Chapter Eleven: Sacramental Scenes



    Chapter Twelve: Wills and Inheritance



    Chapter Thirteen: Forgiveness and the Law of LoveAppendix Excerpts: "Historic Guidance" and "Notes on The Spanish Gypsy"

    Biography

    Constance M. Fulmer is Professor of Victorian Literature and holds the Blanche E. Seaver Chair in English Literature at Seaver College, Pepperdine University in Malibu, California. She is working on a biography of Edith J. Simcox, and with Margaret E. Barfield, edited A Monument to the Memory of George Eliot: Edith J. Simcox’s Autobiography of a Shirtmaker (Garland, 1998). She has also published several articles on George Eliot and on Edith Simcox and an annotated bibliography of George Eliot criticism (G.K. Hall, 1977). She serves on the board of the Victorian Interdisciplinary Studies Association of the Western United States and is active in the British Women Writers Association. Her Ph.D. is from Vanderbilt University. She has been at Pepperdine since 1990 and served as Associate Dean of Seaver College from 2007 to 2016 and for eight years as Divisional Dean.