July 12, 2019 Forthcoming
Reference - 224 Pages
ISBN 9781138578203 - CAT# Y382893
Series: Studies in Performance and Early Modern Drama
Facial Hair and the Performance of Early Modern Masculinity is the first full-length critical study to analyse the importance of beards in terms of the theatrical performance of masculinity.
According to medical, cultural and literary discourses of early modern era in England, facial hair marked adult manliness while beardlessness indicated boyhood. Beards were therefore a passport to cultural prerogatives. This book explores this in relation to the early modern stage, a space in which the processes of gender formation in early modern society were writ large, and how the uses of facial hair in the theatre illuminate the operations of power and politics in society more widely.
Written for scholars of Early Modern Theatre and Theatre History, this volume anatomises the role of beards in the construction of on-stage masculinity, acknowledging the challenges offered to the dominant ideology of manliness by boys and men who misrepresented or failed to fulfil bearded masculine ideals.
1. Youth: Beardless Boys 2. Liminal Masculinity 3. Maturity: Lovers and Bearded Manhood 4. Old Age: Greybeards and the Decline of Manliness