1st Edition

Claudio Monteverdi A Research and Information Guide

By Susan Lewis, Maria Virginia Acuña Copyright 2018
    272 Pages
    by Routledge

    272 Pages
    by Routledge

    Claudio Monteverdi: A Research and Information Guide is an annotated bibliography that navigates the vast scholarly resources on the composer with the most updated compilation since 1989. Claudio Monteverdi transformed and mastered the principal genres of his day and his works influenced generations of musicians and other artists. He initiated one of the most important aesthetic debates of the era by proposing a new relationship between poetry and harmony. In addition to scholarship by musicologists and music theorists, Monteverdi’s music has attracted attention from literary scholars, cultural historians, and critical theorists. Research into Monteverdi and Renaissance and early baroque studies has expanded greatly, with the field becoming more complex as scholars address such issues as gender theory, feminist criticism, cultural theory, new criticism, new historicism, and artistic and popular cultures. The guide serves both as a foundational starting point and as a gateway for future inquiry in such fields as court culture, opera, patronage, and Italian poetry.

    Preface





    Acknowledgements





    Introduction: Monteverdi in His World and Ours





    Abbreviations





    Monteverdi: A Chronology





    1. Reference





    General Reference



    Monteverdi Reference



    Catalogs of Monteverdi’s Music



    Monteverdi’s Letters, Documents, and Writings





    2. Collections of Essays and Conference Proceedings





    3. Studies of Monteverdi’s Life and Works





    Specialized Studies



    Studies of Documents and Sources



    Iconography





    4. Claudio’s Brother: Giulio Cesare Monteverdi





    5. Theory and Aesthetics





    Theoretical Contexts



    Aesthetics and Debates on the seconda pratica





    6. Canzonetta and Madrigal Books





    Secular Song around 1600



    Monteverdi as Madrigalist



    Monteverdi in Relation to His Contemporaries



    Monteverdi’s Poetic Choices



    Madrigali, Libri I–III



    Madrigali, Libro IV–V



    Scherzi musicali (1607)



    Madrigali, Libro VI



    Madrigali, Libro VII



    Scherzi musicali (1632)



    Madrigali guerrieri et amorosi, Libro VIII



    Madrigali, Libro IX



    Spiritual Madrigals and Contrafacta





    7. Dramatic Works





    General Studies of Early Opera



    Venetian Opera and Opera in Venice



    Studies of Monteverdi’s Dramatic Works



    L’Orfeo (1607)



    Arianna (1608) and the Lament Tradition



    Il ritorno d’Ulisse in patria (163940)



    Le nozze d’Enea (16401)

    Biography

    Susan Lewis is Professor and Dean of the Faculty of Fine Arts at the University of Victoria in British Columbia, Canada. Her other publications include Editing Music in Early Modern Germany (Ashgate, 2007; Routledge, 2017), The Madrigal: A Research and Information Guide (Routledge, 2012), Music in the Baroque World: History, Culture, and Performance (Routledge, 2016), and numerous articles and reviews.





    Maria Virginia Acuña holds a PhD in musicology from the University of Toronto and has taught courses at Kwantlen Polytechnic University and Simon Fraser University. Her research has been funded and recognized by the Joseph-Armand Bombardier Canada Graduate Scholarship from the Social Sciences and Research Council of Canada, the Eugene K. Wolf Grant awarded by the American Musicological Society, and the SOCAN Foundation/George Proctor Prize.