1st Edition

Chinese Spatial Strategies Imperial Beijing, 1420-1911

By Jianfei Zhu Copyright 2004

    Chinese Spatial Strategies presents a study of social spaces of the capital of Ming Qing China (1420-1911). Focusing on early Ming and early and middle Qing, it explores architectural, urban and geographical space of Beijing, in relation to issues of history, geopolitics, urban social structure, imperial rule and authority, symbolism, and aesthetic and existential experience. At once historical and theoretical, the work argues that there is a Chinese approach to spatial disposition which is strategic and holistic.

    List of figuresAcknowledgementsIntroduction: Beijing as a Critical ProblemIn Search of a Chinese SpaceOutline of the Research and the ArgumentA Note on Method1. A Geo-Political Project2. City Plan as IdeologyA Classical TraditionNeo-Confucianism3. Social Space of the CityA City of CitiesSpace of the StateSpace of SocietyConcluding Notes 1: Architecture of the City and the Land4. A Sea of Walls: The Purple Forbidden Palace5. The Palace: Framing a Political LandscapeThe Inner Court as a Corporeal SpaceThe Outer Court as an Institutional SpaceA Composition of Forces6. The Palace: a BattlefieldFlows of Reports and DirectivesDefenceRecurring Crises7. Constructs of AuthorityLegalism and The Art of War Vis-a-vis the Panopticon: Two Ages of ReasonConcluding Notes 2: Architecture as a Machine of the State8. A Religious DiscourseComposing and Building the DiscoursePerforming an Ideology9. Formal Compositions: Visual and ExistentialBeijing as a ScrollVis-a-vis 'Cartesian Perspectivalism': Two Ways of SeeingConcluding Notes 3: Architecture of HorizonAppendix: dynasties, reigns and emperorsNotesBibliographyIndex

    Biography

    Jianfei Zhu teaches Architecture in the Faculty of Architecture, Building and Planning at the University of Melbourne, Australia. He has published on imperial Beijing and modern Chinese architecture. His work explores conditions of space in late imperial and modern China, and searches a possible dialogue between Western social theory and Asian architectural experience.