February 14, 2018
Reference - 88 Pages
ISBN 9781138678668 - CAT# Y231854
Series: The Fourth Wall
January 31, 2018
Reference - 75 Pages
ISBN 9781315558813 - CAT# YE73771
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‘Who can turn skies back and begin again?’
This book contends that Peter Grimes, widely regarded as one of the greatest and most influential operas of the 20th century, is also one of the British theatre’s finest ‘lost’ plays. Seeking to liberate Britten and Slater’s work from the blinkered traditions of theatre and opera criticism, Sam Kinchin-Smith poses two questions:
The answers involve Wagner and W.G. Sebald, George Crabbe and Complicité, Akenfield and Twin Peaks.
Challenging long-established narratives of post-war theatre history, this book makes a compelling case for why practitioners and scholars of performance ought to pay more attention to Britten and Slater’s achievement – a milestone of unconventional English modernism – and perhaps to other operatic masterpieces too.
1. Grimes on the Beach 2. Opera as Theatre: Why Peter Grimes is a Play 3. The Suffolk Renaissance: Why Peter Grimes is a Great Play